The fatal flaw of George Clooney’s Catch-22

Episode 102

Christopher Abbott as Yossarian prepares to fly yet another mission.

Joseph Heller’s Catch-22 is a classic American novel about World War II, bureaucracy, the illogic underpinning our social charades, and the courageous use of cowardice to do the one thing that really matters: survive. It is long, dense, and nonlinear, with a large cast of characters who represent Heller’s satires of capitalism, incompetence, American exceptionalism, and more.

Previous attempts to translate Catch-22 in motion pictures proved difficult. Mike Nichols’s 1971 film fell flat before critics and audiences, though Heller himself praised it. A 1973 TV series fizzled before it got off the ground. Now, Hulu and George Clooney have produced a six-part miniseries and most reviews contend that Heller’s epic novel has finally been given the treatment it deserves. Continue reading

Against Trump’s fascism, art is the best weapon

Gore

The artist was left with one hell of a black eye after an encounter with Trump supporters.

One of the great pieces of art that’s come out of this presidential campaign is a nude depiction of Donald Trump by artist Illma Gore. In the painting, Trump is cast as unflatteringly as possible. All he’s wearing is a gold bracelet while his fat gut sags almost low enough to cover a button-sized micropenis. Apparently Trump’s supporters are as thin-skinned as the man himself, because on April 29 a group of them assaulted Gore over her art. Continue reading

Jerry Seinfeld confuses eye-rolling with head-shaking

Jerry Seinfeld has caught flack in the media for becoming a bit of a curmudgeon.

Jerry Seinfeld has caught flack in the media for becoming a bit of a curmudgeon.

Jerry Seinfeld is not too happy with young people. In a few recent appearances, including Late Night with Seth Meyers, the comedian bemoaned the tendency of millennials to disapprove of “politically incorrect” comedy. Using an audience’s muted reaction to a joke as his example, Seinfeld is worried hypersensitivity is damaging comedy as a profession and art form. Continue reading

‘American Sniper’ caps the war film’s evolution from satire to grim propaganda

Bradley Cooper as Navy SEAL Chris Kyle in the film "American Sniper."

Bradley Cooper as Navy SEAL Chris Kyle in the film “American Sniper.”

War has been a popular theme for literature, poetry, music, theater and film since the earliest days of the mediums. Over such a long history, it’s been treated just about every way, from levity to grim reverence. Whatever else may be about American Sniper, it definitely falls into the second category. Continue reading

Condemn the attacks on Charlie Hebdo, but remember that satire should always punch up

Hundreds of thousands marched at unity rallies in and around Paris to show support for free expression in the wake of the murders at Charlie Hebdo.

Hundreds of thousands marched at unity rallies in and around Paris to show support for free expression in the wake of the murders at Charlie Hebdo.

It’s hard to find much room for cynicism in the outpourings of solidarity, sympathy and defense of free expression that have emerged following the slaughter of 12 innocent people at the offices of the French satirical magazine, Charlie Hebdo. The crime committed there in the name of religious extremism is one of the most heinous and intolerable anyone can imagine. Nonetheless, there’s an important element to the story that’s missing from most of the discussion, and it has to do with the power dynamic of cultures and the messaging of satire. Continue reading